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By The Wheaton College Archives & Special Collections Staff
Collection Overview
Title: Hans Rookmaaker Papers, 1927-1986

Predominant Dates:1945-1977
ID: SC/018
Primary Creator: Rookmaaker, H. R. (Hendrik Roelof) (1922-1977)
Extent: 63.0 boxes. More info below.
Arrangement: The collection is arranged by series with folder level control.
Date Acquired: 00/00/1985
Subjects: Aesthetics, Modern -- 19th century, Art, Dutch, Art, Modern -- 19th century, Art, Modern -- 20th century, Art -- History, Art -- Philosophy, Art and religion, Art and society, Artists -- Psychology, Arts -- Psychological aspects, Blues (Music) -- History and criticism, Blues (Music) -- Philosophy, Christianity and culture, Christianity and the arts., College teachers -- Netherlands -- Archives, Gauguin, Paul, 1848-1903 -- Criticism and interpretation, Graphic arts, European, Jackson, Mahalia, 1911-1972, Jazz -- History and criticism, Jazz -- Louisiana -- New Orleans --Philosophy, Music -- Religious aspects, Painting, Rock music, Rookmaaker, H. R. (Hendrik Roelof), 1922-1977 -- Archives, Spirituals (Songs) -- History and criticism
Forms of Material: Articles, Audiotapes, Biographies, Correspondence, Financial Records, Lectures, Legal Documents, Photographs, Reviews, Scrapbooks, Sermons
Languages: English, Dutch;Flemish
Scope and Contents of the Materials
The largest portion of the Collection consists of 3 x 5 bibliographic note cards (in Dutch). This is also the only series that includes original manuscript material. A preliminary index has been created to assist the researcher. Copies of published articles in Dutch and English comprise Boxes 1 and 2. Arrangement is by language, and by publication. The articles written for the Dutch newspaper Trouw (1949-1956), and Opbouw (1957-1972) are foldered chronologically. Journal articles in English are arranged alphabetically, while articles in Dutch are arranged chronologically under the journal title, with no attempt to list individual article titles. Fifty-one audio cassette tapes (ca. half in English, remainder in Dutch) provide voice recordings of Dr. Rookmaaker on the topics of art, culture, music, philosophy, and the Bible. He lectured in the United Kingdom, the United States, and Canada, as well as in his native Netherlands.
Biographical Note
Henderik “Hans” Roelof Rookmaaker, art historian, professor, author and lecturer, was born February 27th, 1922, in The Hague, Netherlands, third child of Theodora Catherine and Henderik. Hans, son of the Dutch resident (governor), spent his early years living in the Netherlands and Sumatra (Indonesia).
Quite happily spoiled by his mother, he was inquisitive and stubborn; lifelong characteristics. While in Sumatra, for fun, the Rookmaaker children joined their father on dangerous hunting excursions, shooting deer, boars, snakes and tigers. Henderik also captured Komodo dragons, sending them to zoos in London, Berlin and Amsterdam.
In 1933, Henderik retired, and the family returned to the Netherlands, settling in Den Haag. While Hans prepared for High School, political stirrings from Germany reached the Netherlands. A party dedicated to race purification was forming: the Nazis. Few noticed or cared as German nationalism loudly increased and civil liberties quietly decreased.
As the Dutch Nazi Party organized, teenaged Hans pursued other inclinations, developing an abiding passion for jazz, spending his pocket money on albums and phonograph needles, playing the music until the records – and his friends – wore out. Favorites included Jelly Roll Morton, Louis Armstrong and Billie Holiday. At school, Reformed in doctrine, Rookmaaker detected a marked difference in the Christian students who exhibited genuine faith as opposed to those who blandly professed. “I’d like to be like them,” he told his sisters.
After high school he proceeded to Den Helder Marine Officer’s School, training for leadership. On May 10th, 1940, the Third Reich, its dark ambitions at last erupting, invaded the Netherlands, cutting short his education. On May 14th, German bombers blitzed Rotterdam, reducing homes, churches and shops to piles of rubble.
The Occupation tightened; to counter its hold, Hans associated himself with the Underground Press, courageously accepting their request to distribute anti-Nazi leaflets. He was arrested after his first night. In jail, the only book allowed was the Bible. Already intrigued about Christianity, he read carefully for three months; so began his gradual conversion.
Henderik, consulting his political connections, managed his son’s release. But he would not long remain free. In 1943 thousands of Dutch reservists, including Hans, were “officially” enlisted for service at a collecting center where they were herded into trains and transported to concentration camps, a horrifically successful Nazi ploy. Isolated in Stanislau POW camp, his faith received further nourishment when Captain J.P.A. Mekkes, a fellow inmate, recommended A New Critique of Theoretical Thought by Herman Dooyeweerd. Studying intensely, Hans discovered in Dooyeweerd a perceptive, challenging mind.
In 1945, the Russians liberated the camp, and he was free to return home. Secure in Christ, he determined to pursue art history from a Reformed perspective, examining precisely how an artist’s personal beliefs illuminated the creative vision. Consequently he moved to Amsterdam and studied art history, integrating philosophy with Christian doctrine.
A few years later, Hans married an old friend, Anna Marie “Anky” Huiter. Supporting his family as he researched his doctoral thesis, he wrote art criticism for Trouw, the Dutch national paper, and taught history at Leiden High School (1952-58).
He received his degree in 1959, publishing his thesis as Synthetist Art Theories: Genesis and Nature of the Ideas on Art of Gauguin and His Circle. From 1958-65 he was Assistant Professor of History of Art at the University of Leiden. In 1965, he accepted the Art History chair at Vrje (Free) University, a position he occupied until his untimely death in 1977.
In 1948, Hans encountered another significant influence, Francis Schaeffer, an American Presbyterian pastor ministering to postwar Europeans in Switzerland. Jazz fans, they easily bonded. Hans, sympathetic to Schaeffer’s mission, became a member of L’Abri (“the shelter”), eventually hosting gatherings in his home. “Spiritually and intellectually they were in essential agreement,” observes biographer Laurel Gasque, “yet there was a space…in their relationship that allowed for differences and breathed vitality for hundreds, and probably thousands, of young people seeking renewed direction for their lives.”
Professor Hans Rookmaaker authored many books pertaining to art theory, art history and music. Lecturing throughout the 1960s and ‘70s on college campuses, universities and conferences in the U.S. and U.K., he endeared himself to a generation of questioning students. “We loved him,” recalls actor Nigel Goodwin, founder and international director of the Genesis Arts Trust. Touring widely, Hans met influential artists, including gospel singer Mahalia Jackson, whose music was performed at his funeral.
In his groundbreaking work, Modern Art and the Death of A Culture (1970), he offers pointed perspectives on the countercultural turmoil of the 1960s as reflected in its art. He examines histories, themes and reactions in classic and contemporary creative endeavor; and urgently calls Christian artists to bold commitment in executing their unique roles as prophets and messengers. “Far from retreating into a kind of Christian subculture,” he writes in The Creative Gift (1981), “leaving the world to its evil, Christians not only can, but must take part in the world’s activity.”
His platform style was engaging, robust, often stinging. “All truth is relative,” he would announce, shocking his listeners, calmly adding, “to Jesus Christ.” He was impatient with naïve questions or lazy, unfocused thinking. Church audiences who blithely dismissed modern art received a not-so-gentle chide: “How can you say that modern art is ugly when you worship the Lord in a building painted like this?”
In talks and writing, Hans Rookmaaker sought to address the disastrous severance of truth and beauty from divine revelation. He argued that there is no true beauty divorced from truth, love and freedom, either in art or life. “We are Christians whether we sleep, eat or work hard,” he writes in Art Needs No Justification (1978), “whatever we do, we do it as God’s children.”
Subject/Index Terms
Aesthetics, Modern -- 19th century
Art, Dutch
Art, Modern -- 19th century
Art, Modern -- 20th century
Art -- History
Art -- Philosophy
Art and religion
Art and society
Artists -- Psychology
Arts -- Psychological aspects
Blues (Music) -- History and criticism
Blues (Music) -- Philosophy
Christianity and culture
Christianity and the arts.
College teachers -- Netherlands -- Archives
Gauguin, Paul, 1848-1903 -- Criticism and interpretation
Graphic arts, European
Jackson, Mahalia, 1911-1972
Jazz -- History and criticism
Jazz -- Louisiana -- New Orleans --Philosophy
Music -- Religious aspects
Painting
Rock music
Rookmaaker, H. R. (Hendrik Roelof), 1922-1977 -- Archives
Spirituals (Songs) -- History and criticism
Administrative Information
Repository:
Wheaton College Archives & Special Collections
Alternate Extent Statement:
28 linear feet
Access Restrictions:
There are no restrictions on this collection.
Use Restrictions:
Duplication may be restricted if copying could cause damage to items.
Acquisition Source:
Gift
Acquisition Method:
The papers of Hans Rookmaaker were given to Wheaton College by his wife, Mrs. Anky Rookmaaker. Long appreciated for the integration of his Christian faith and art criticism, Rookmaaker had lectured at Wheaton College in the 1970s, but it was not until the early 1980s and Dr. Nigel Goodwin's recommendation, that serious efforts were made to secure his archives. Myrna Grant, John Walford, and Paul Snezek, were among those instrumental in the arrival of materials in 1985.
Preferred Citation:
Hans Rookmaaker Papers (SC-18), Wheaton College Special Collections, Wheaton, Illinois.
Other Note:
The papers of Henderik (Hans) Roelof Rookmaaker (1922-1977), Professor of Art History, art critic and columnist, author, and lecturer, occupy approximately fifteen linear feet. The collection includes manuscript bibliographic cards and notes, photocopies of published newspaper columns and articles, and audio cassettes of lectures. The majority of the material is in the Dutch language, while many of the articles and recorded lectures are in English.
Other URL:
http://library.wheaton.edu
Box and Folder Listing
Browse by Series:
[
Series 1: Biographical],
[
Series 2: Correspondence],
[
Series 3: Manuscripts],
[
Series 4: Published Articles],
[
Series 5: Lectures and Sermons],
[
Series 6: Photographs],
[
Series 7: Research Notes],
[
Series 8: Legal / Financial],
[Series 9: Secondary Material],
[
Series 10: Free University],
[
Series 11: Unknown],
[
Series 12: Media],
[
Series 13: Albums and Scrapbooks],
[
All]
- Series 9: Secondary Material

- Sub-Series 1: Scrapbook

- Box 44

- Folder 1: Collection of materials on blues/jazz/gospel circa. 1956-1958

- Folder 2: A

- Folder 3: B

- Folder 4: C

- Folder 5: D

- Folder 6: E

- Folder 7: F

- Folder 8: G

- Folder 9: H

- Folder 10: K

- Folder 11: L

- Folder 12: M

- Folder 13: N

- Folder 14: O

- Folder 15: Q-R

- Folder 16: S

- Folder 17: T

- Folder 18: U-V

- Folder 19: W-Z

- Folder 20: Arabic Records

- Folder 21: News Clippings

- Sub-Series 2

- Box 45

- Folder 2: Ich bin ein Rädchen in der richtigen Maschine, [I'm a Cog in the Right Machine, Spiegel article on Austrian Pianist Friedrich Gulda and contemporary concert practices, 1969]

- Folder 3: Jazz in Verdrukking [Jazz in Oppression]

- Folder 4: Jazz: van Oerwoud-Dreun Tot Modern Ritme [Jazz: from Primeval Forest-Drone to Modern Rhythm]

- Folder 5: Le Jazz est-il Mort? [Is Jazz Dead?]

- Folder 6: Newspaper and Magazine articles on Jazz and Gospel music/musicians

- Folder 7: The Birth of the Blues

- Folder 8: Blues Community Singing Blues Here

- Folder 9: Black Gospel Music- Posters, Articles, Advertisements

- Folder 10: De Gospel-Song [The Gospel Song]

- Folder 11: Negro Spirituals

- Folder 12: Negro Spirituals; Omroepgids, January 1956

- Folder 13: Spirituals

- Folder 14: De Sterren Zijn Zo Vermoeid; Zaterdag, September 1967 [The Stars are so Tired]

- Folder 15: Welke Kant Wil Die Frank Zappa Eigenlijk Op? [Which Edge does that Frank Zappa really want to be on?]

- Folder 16: Als je zwart bent, Omroep Gids [If you're black... (translation of song by H.R. Rookmaaker), Broadcasting Guide]

- Folder 17: Pop en Sex; Nederlands Studentenblad, May 1970 [Pop and Sex]

- Folder 18: Pop en Subcutuur: Tegenmilieu of Escapisme?; Student, April 1970 [Pop and Sub- culture: Counterculture or Escapism?]

- Folder 19: Popmuzen Jaarboek; Parool, September 1967 [Pop Muses Yearbook]

- Folder 20: Popscore; Zaterdag, February 1970

- Sub-Series 4

- Box 46

- Folder 1: Agony Rock; Beat Instrumental, May 1971

- Folder 2: An Evening Spent at Joni's; Time, December 1974

- Folder 3: Art Criticism; Interchange

- Folder 4: At the Where?; Time, June 1970

- Folder 5: Bad Trip; Time, November 1968

- Folder 6: BBC Ban Mick Jagger's Wilde Film

- Folder 7: The Beatles/Their New Incarnation; Time, September 1967

- Folder 8: Dave Brubeck Unveils Oratorio on Jesus; Christianity Today March '68

- Folder 9: England's Elvis: Gut Emotions; Time, December 1977

- Folder 10: Exiled Pastor Speaks of Persecution; Calvin College Chimes, Nov. 1974

- Folder 11: The Girls of Hair; Playboy

- Folder 12: The Gulf of Spirit, Science; Boston Globe, July 1975

- Folder 13: The Human Being in Beethoven; Philips Music Herald, 1969

- Folder 14: Improvising on the Beat; Time, July 1974

- Folder 15: James Taylor: One Man's Family of Rock; Time, March 1971

- Folder 16: Jazz; Time, March 1968

- Folder 17: Jazz Goes to College; Time, June 1971

- Folder 18: Jesus Christ Superstar; Life, May 1971

- Folder 19: Jesus Christ Superstar Rocks Broadway; Time, October 1971

- Folder 20: Jesus in a Pop Culture

- Folder 21: The Jesus Revolution; Time, June 1971

- Folder 22: Last Trumpet for the First Trumpeter; Time, July 1971

- Folder 23: The Lonely Music of a Man Called Muddy; Chicago Tribune Magazine

- Folder 24: Linda Down; Time, February 1977

- Folder 25: Memorable Songs For Our Times; Mayday Music Inc., 1971

- Folder 26: Mick Jagger; The Sunday Denver Post, July 1972

- Folder 27: Monk Music

- Folder 28: Music; Maclean's, June 1972

- Folder 29: The Necessity of Music

- Folder 30: The New Jazz; Newsweek, December 1966

- Folder 31: Newport in New York; Time, July 1972

- Folder 32: Playboy Interview: Allen Klein; Playboy, November 1971

- Folder 33: Playboy Interview: Elton John; Playboy

- Folder 34: The Playboy Music Hall of Fame; Playboy

- Folder 35: The 1969 Playboy All-Star's All-Stars; Playboy, 1969

- Folder 36: The 1976 Playboy Music Poll; Playboy, 1976

- Folder 37: Pop Records: Moguls, Money, & Monsters; Time, February 1973

- Folder 38: Religious Concerns Over-Dominate Festival

- Folder 39: The Road to Respectability (1927-1930); Arrow in the Blue

- Folder 40: Rock as Salvation; The New York Times Magazine, August 1968

- Folder 41: Rock as Passion; Time, November 1970

- Folder 42: Rock: The Revolutionary Hype; Time, January 1969

- Folder 43: Schools: A Jewel of a Julliard; Time, October 1969

- Folder 44: Songs in Praise of Birds, Bees, and Birth Control; Philips Music Herald, Summer/Autumn 1967

- Folder 45: The Stones and the Triumph of Marsyas; Time, July 1972

- Folder 46: Student Balances Liberal Arts Education with World-Wide Concert Performance; Wheaton College Record, Feb. 1967

- Folder 47: Underground Comes Up on Top; Philips Music Herald, Winter 1968/9

- Folder 48: William Law, 1881

- Folder 49: Winter Preview

- Folder 50: Art is Life: Rookmaaker, Theology and art- a critical consideration by Joseph Sverker

- Folder 51: Gospel Music and Lyrics by Thomas A. Dorsey

- Folder 52: Spirituals and Negro Worship

- Folder 53: Articles by Francis Schaeffer

- Folder 54: American Council of Christian Churches / International Council of Christian Churches

- Folder 55: Outline -- The Christian Approach to the Arts by D.R. Johnsten; The Christian Artist and his Work by Angela Peak; The Christian Artist and His Attitude to his own Work by Rosamond Andrew

- Folder 56: The Artists' Study Group: Render unto Caesar, Can the Christian Message be Expressed in Terms of Contemporary Art? By J.G. Blackman

- Folder 57: Art Education Seminar given at J.C.C.F. Art & Technology Conference (July 1973): Towards a Christian View of Art Education in Secondary Schools

- Folder 58: Art as Christian Calling by Rev. Johan D. Tangelder

- Folder 59: Interview with Malcolm Muggeridge; Right On, May 1975

- Box 47: Articles in Dutch

- Folder 1: "Over de Christus in de moderne kunst" [Concerning the Christ in Modern Art]

- Folder 2: "Is kunst luxe" and "Gods gave misbruikt"

- Folder 3: "Calvinisme en Kunst" [Calvinism and Art]

- Folder 4: "De Reformatie"

- Folder 5: "Dr. Mekkes spreekt over Christelijke Staatkunde"

- Folder 6: "Mekkes: Otwikkeling der Humanistische Rechtsstaatstheorieen" [Development of the humanist rule of law theories]

- Folder 7: "Van Weektotweek: Een plan: eneen lazing over de bibberende C" 24 januari 1975

- Folder 8: "Een en ander over de javaansche wajang"

- Folder 9: "De Televisie I-VI"

- Folder 10: "Oorlog en vrede in de moderne kunst" [War and peace in modern art]

- Folder 11: "Opbouw"

- Folder 12: "Ons Gesprek"

- Folder 13: "de Realist: Vardaag of Morgen"

- Folder 14: Dutch News clippings and Magazine articles (secondary)

- Folder 15: "Bij het sterven van prof. dr. J.P.A. Mekkes"

- Folder 16: "Kolonisatie in de Lampongs"

- Folder 17: "De christen-kunstenaar tussen twee vuren"

- Sub-Series 5: Gospel/Blues/Jazz

- Box 48

- Folder 1: Leroy Carr (Treasures of North American Negro Music - Volume 1)

- photocopies of front and back covers of album
- Folder 17: Album Information

- Folder 18: Miscellaneous Album Information

- Folder 19: Classical Jazz

- [missing]
- Folder 20: Lists of Songs

- Folder 21: Maarten Luther en het Gereformeerd Gezangboek; Centraal Wechblad Reformatienummer, 21. October, 1967

- Sub-Series 6: Christian Associations

- Box 49

- Folder 1: L'Abri

- Folder 2: AICA

- Folder 3: Association for the Advancement of Christian Scholarship

- Folder 4: Calvinistic Philosophy/Calvinism and Culture

- Folder 5: Christian Film Education; Film board/inspection, misc.

- Folder 6: Christian Film Education; Film board/inspection, 1963-1965

- Folder 7: Christian Film Education; Film board/inspection, 1966-1971

- Folder 8: David Reece

- Box 50

- Folder 1: The Emissary; Collegiate Scene Magazine

- Folder 2: EO Evangelical Broadcast

- Folder 3: European Congress On Evangelism

- Folder 4: Fellowship of Christians in the Arts, Media, and Entertainment

- Folder 5: The Gordon Review (journal)

- Folder 6: Institute for Christian Art

- Folder 7: International Association of Art Critics

- Folder 8: Koers (journal

- Folder 9: Loorthians

- Folder 10: Verenizing van Gereformeerde Studenten te Amsterdam [Alliance of Reformed Students in Amsterdam]

- Folder 11: General

- (1 of 3)
- Box 51

- Folder 1: Christelijk Cultureel Studiecentrum (CCS), 1964

- Folder 2: Christelijk Cultureel Studiecentrum (CCS), 1965

- Folder 8: CCS - undated

- Folder 9: CCS - Chr. Kunstacademie [Christian Art Academy]

- Folder 10: CCS - Van Tieueu Wij 37 Diemer

- Folder 11: "Fellowship of Christians in the Arts"

- Box 52

- Folder 1: Workshop of Christian Poetry

- Folder 2: Christian Art Associates

- Folder 3: Institute for Christian Art

- Folder 4: "Arts Centre Group"

- Folder 5: Christoffel Overvoorde-Painter

- Folder 6: Christian Arts Festival Directory and Deo Gloria

- Folder 7: CWI: Christian World Liberation Front

- Folder 8: SALT: A News and Discussion Forum for Christians in the Arts, The C.S. Lewis Society, Bristol Christian Arts Group

- Folder 9: "The Figurative Approach" Art exhibit, "Les K

- [missing]
- Sub-Series 7

- Box 53

- Folder 1: Synthetist Art Theories: Genesis & Nature of Ideas on Art of Gaugin and His Circle, 1959

- Folder 2: Jazz, Blues, Spirituals, 1960

- Folder 3: Kunst en Amusement [Art and Amusement], 1962

- Folder 4: De Kunstenaar Een Profeet? [The Artist a Prophet?], 1965

- Folder 5: Modern Art and the Death of a Culture, 1970

- Folder 6: Malcolm Muggeridge, 1970-1971

- Folder 7: The Creative Gift: Essays on Art and The Christian Life, 1981

- Folder 8: Nothin' But the Blues

- Folder 9: Fontana/Riverside, Record Reviews

- Folder 10: Book Announcements

- Folder 11: Spirituals and Blues, by Cone

- Folder 12: The Complete Works of Hans R. Rookmaaker, 2002-2003

- Folder 13: Ontmoeting; July 1963, no. 10

- Sub-Series 8

- Box 54

- Folder 1: The Absurdity of Man; British Weekly, December 1968

- Folder 2: Affirming the Arts

- Folder 3: Alien Brain

- Folder 4: All That Jazz

- Folder 5: The Art of Representation; Pacific Theological Review, winter 1975

- Folder 6: Arts Festival Highly Succesful; Bulletin of Westminister Theological Seminary, 1976

- Folder 7: The Creative Gift; CSSH Quarterly, Summer 1983

- Folder 8: The Christian and the Arts in Contemporary Society; The Witness Apr. 1969

- Folder 9: Dr. H.R. Rookmaaker; Christian Graduate, June 1977

- Folder 10: Francis A. Schaeffer: An Evaluation; Bibliothecasacra Journal

- Folder 11: Hans Rookmaaker: A Biography; Crux, June 1980

- Folder 12: Hans Rookmaaker: An Appreciation

- Folder 13: H.R. Rookmaaker; Third Way, March 1977

- Folder 14: Letter; The Cut, Autumn 1989

- Folder 15: Master Painters' Work Shown To Couples Club

- Folder 16: Not Forgotten or Passed Over; The Greenbelt Newspaper, 1984-1985

- Folder 17: Our Looking at Paintings: A Look At Rookmaaker; The Reformed Journal, Feb 1972

- Folder 18: Our Calling to be Critical; Loog, May 1972

- Folder 19: Paper on Hans Rookmaaker; ICS, 1978

- Folder 20: Paul Clowney

- Folder 21: Readers Respond; The Reformed Journal

- Folder 22: Regent College, Vancouver; Nov, 1970

- Folder 23: 'Rook' on Art; Crusade, April 1970

- Folder 24: The Rookmaaker Lecture; Festival, Autumn 1977

- Folder 25: Two Men, One Vision; Sound, June/July 1984

- Folder 26: Waking up to Reality; Crusade, October 1971

- Folder 27: Walford Stresses Dignity of Art; Wheaton Record, September 1981

- Folder 28: What is Religious Art?; The Presbyterian Guardian, Summer 1972

- Folder 29: Will There Be Martyrs?; The Vancouver Sun, July 1970

- Folder 30: Yet Another Leaflet on Student Protest; Birmingham College of Art and Design Christian Fellowship, October 1968

- Folder 31: Art is Life: Rookmaaker, Theology and Art -- A Critical Consideration

- by Joseph Sverker
- Box 55

- Folder 1: Arabische en Berber-Muziek; Het Vaderland, March 1951 [Arabian and Berber Music]

- Folder 2: Barok Rome [Baroque Rome]

- Folder 3: Beweging Zonder Naam; Gospel, Music & Art Magazine, December 1985 [Movement without a Name]

- Folder 4: Bij Het Heengaan van Hans R. Rookmaaker; CCS [At the Passing Away of Hans R. Rookmaaker]

- Folder 5: Bij Het Heengaan van Prof Dr. Rookmaaker; VU magazine, April 1977 [At the Passing Away of Prof Dr. Rookmaaker]

- Folder 6: Bourgeoismentaliteit Sterft Nooit Uit; RW. Courceiu, March 1968 [Bourgeois Mentality never Dies Out]

- Folder 7: Boekbespreking; Overdruk uit Radix [Book Discussion: Reprint from Radix]

- Folder 8: Bulletin; February, 1975

- Folder 9: Christenen Moeten Kunst Scheppen Vanuit Bewogenheid; Friesch Dagblad, Feb 1976 [Christians Must Create Art without Being Moved]

- Folder 10: Clarence Williams; Signaal June/July 1961

- Folder 11: De Christen en de Cultuur; S. Siziusblad, May 1965 [Christians and Culture]

- Folder 12: Die Moderne Kuns Aftakeling van Menslike Waardes; Litugrafiese Bylae Tot Die Oosterlig, December 1974 [Modern Art's Dismantling of Human Worth; Lithographical Supplement to the Eastern (newspaper)]

- Folder 13: Dr. H.R. Rookmaaker; Friesch Dagblad, February 1976

- Folder 14: Dr. Rookmaaker Strijdt Voor Nieuwe Gereformeerde Levensstijl; Spiegel, June 1963 [Dr. Rookmaaker's Struggle for a new Reformed Ways of Life]

- Folder 15: Een Belangrijke Promotie; Mededelingen v.d. ver Voor Calvinist Wijrbegeerte, Sept 1959 [An Important Advancement; Reports from the Society for Calvinist Philosophy]

- Folder 16: Evangelisatie - congres: Morele Kick Voor Eenzame Werkers; Bijlage Leeuwarder Courante, September 1971 [Evangelization Congress: Moral High for Solitary Workers]

- Folder 17: Evangelisatie Vereist Training, Zegt Rev. Gilbert W. Kirby; Erbij, Haarlems Dagblad [Evangelization requires Training]

- Folder 18: From Birmingham: Kunst van Jonge Engelse Christenen; Ad Valvas, Dec 1974 [From Birmingham: Art by Young English Christians]

- Folder 19: Geestelijke Strijd; NRC Hondelsblad, Cultureel Supplement, Feb 1971 [Spiritual Conflict]

- Folder 20: De Geest van Revolutie, De Mens van Wetteloosheid; NUK, Feb 1968 [The Spirit of Revolution]

- Folder 21: Geloof Opnieuw Integreren in Leven van Alledag; Nieuwe Haagse Courant, Sept 1971 [Integrating Faith with Everyday Life Again]

- Folder 22: Macht en Onmacht in de 20ste Eeuw [Power and Weakness in the 20th Century]

- Folder 23: Helende Beelden; Music & Art, April 1988 [Received Images]

- Folder 24: Het Boek van Rookmaaker; Gereformeerd Weekblad, March 1963 [The Book by Rookmaaker]

- Folder 25: In de Spiegel van de Kunst; Centraal Weekblad, June 1971 [In the Mirror of Art]

- Folder 26: In Memoriam, H.R. Rookmaaker; Beweging, April 1977

- Folder 27: In Memoriam Prof Dr. H.R. Rookmaaker; Ad Valvas, March 1977

- Folder 28: In Memoriam Prof Dr. H.R. Rookmaaker 1922-1977

- Folder 29: In Memoriam Prof. Rookmaaker; Trouw, March 1977

- Folder 30: In Plan Christelijke Academie Beeldende Vorming Komt Tekening; Trouw, Sept 1976 [A Plan for a Christian Academy For Fine Arts Education in the Making]

- Folder 31: Is de Kunstenaar Profeet?; Leidsch Dagblar, 1965 [Is the Artist a Prophet?]

- Folder 32: Jazz en Evangelielied; Jong Gereformeerd, March 1961 [Jazz and Evangelical Song]

- Folder 33: Kanttekeningen Bij Twee Kunstheistorische Dissertaties; Sola Fide, '60 [Marginal Notes in Two Art History Dissertations]

- Folder 34: Kerstnummer Drukkersweekblad; Penin Pers, January 1961 [Christmas Number of the Printer's Weekly]

- Folder 35: De Kunstenaar Een Profeet?; Gooi & Eemlander, May 1965 [Is the Artist a Prophet?]

- Folder 36: Kunst en Amusement; Lermo, January 1963 [Art and Amusement]

- Folder 37: Kunst en Amusement; Polemists, February 1963 [Art and Amusement]

- Folder 38: Kunst en Amusement; School en Huis, November 1965 [Art and Amusement]

- Folder 39: Kunstwerk Ontmoeting van Kunstenaar en Medemens; Reformatorsch Dagblad, Jan 1975 [Artwork: Meeting of Artists and Fellow-men]

- Folder 40: Literatur und Kunst; "Symbolismus und die Kunst der Jahrhundertwende," Neue Zürcher Zeitung, August 1969 [Literature and Art; Symbolism and Turn of the Century Art, New Zurich Newspaper, August 1969]

- Folder 41: Liturgie van de Samenkomst T.G.V. Het Overlijden van Rookmaaker [Liturgy for Rookmaaker's Funeral]

- Folder 42: Macht and Onmacht van de 20e Eeuw [Power and Weakness in the 20th Century]

- Folder 43: Macht en Onmacht van de Twintigste Eeuw; Opbouw [Power and Weakness in the 20th Century]

- Folder 44: Negeren van Kunst is Onmogelijk; Zaterdag, May 1965 [Ignoring Art is Impossible]

- Folder 45: Nieuwe Studie Over Jazz, Blues en Spirituals; November 1960 [New Study on Jazz, Blues, and Spirituals]

- Folder 46: Nog Meer Boekjes Over Het Geloof Zijn Niet Nodig; Trouw, Sept. 1971 [Even more little books about faith are not necessary]

- Folder 47: Onder de Regenboog; Opbouw, January 1963 [Under the Rainbow]

- Folder 48: (On) Kruid, Fries Dagblad [Weeds or not?]

- Folder 49: Over de Normen in de Kunst; Gereformeerd Gezinsblad, June 7, 1963 [About Norms in Art]

- Folder 50: Over de Normen in de Kunst; Gereformeerd Gezinsblad, June 8, 1963 [About Norms in Art]

- Folder 51: Perspectief; Mededelinger; December 1962 [Perspective; Announcer]

- Folder 52: Persschouw; Opbouw [A Look in the Press; Opbouw]

- Folder 53: Prediking; De Rosherdammer, July 1960 [Preaching]

- Folder 54: Prenten Aad Veldhoen Zinneprikkelend?; LD, December 1964 [Does Aad Veldhoen print titillating things?]

- Folder 55: Prof. Dr. H.R. Rookmaaker; Luir En Boog, January 1978

- Folder 56: Prof. Dr. H.R. Rookmaaker als 'baas'; STUK, April 1977 [Prof. Dr. H.R. Rookmaaker as 'boss']

- Folder 57: Prof. H.R. Rookmaaker Onverwachts Overleden; Reformatosisch Dagblad, March 1977 [Prof. H.R. Rookmaaker's Unexpected Death]

- Folder 58: Prof. Rookmaaker, de Christen en de Kunst [Prof. Rookmaaker, the Christian and Art]

- Folder 59: Prof. Rookmaaker Sprak Voor A.R. Oegstgeest; NLC, February 1966 [Prof. Rookmaaker's Speech Before A.R. Oegstgeest]

- Folder 60: Prof. Rookmaaker Ziet Heil in Rock en Beat Togen de Ontkerstening; Hoagse Post [Prof. Rookmaaker sees Good in Rock and Beat against Dechristianization]

- Folder 61: Professor Rookmaaker Zoekt Meer in Beatles - Songs dan er Inzit; Parool, Oct 1968 [Professor Rookmaaker looks for more in Beatles' songs than he perceives]

- Folder 62: Prof. Rookmaaker: Christenen Mede Schuldig Aan Extreme Kunst; April 1965 [Christians likewise guilty of extreme art]

- Folder 63: Promotie H.R. Rookmaaker [Promotion H.R. Rookmaaker]

- Folder 64: De Relatie Evangelie en Kunst Bij de Kunsthistoricus Prof Dr. H.R. Rookmaaker; De Wekker, December 1984 [The Relation between the Gospel and Art by the Art Historian Prof. Dr. H.R. Rookmaaker]

- Folder 65: De Relatie Evangelie en Kunst Bij de Kunsthistoricus Prof. Dr. H.R. Rookmaaker; De Wekker, January 1985 [The Relation between the Gospel and Art by the Art Historian Prof. H.R. Rookmaaker

- Folder 66: Riverside's Classic Jazz Masters; Luister, May 1965

- Folder 67: Rooirok en Rookmaaker [Rooirok (a jazz album) and Rookmaaker]

- Folder 68: Rookmaaker en Het Programmatisch Christendom; Trouw, January 1979 [Rookmaaer and Programmatic Christianity]

- Folder 69: Schaeffer Als Culturele Jeremia; Trouw, December 1977 [Schaeffer as Cultural Jeremiah]

- Folder 70: Ter Herdenking van Prof. Dr. H.R. Rookmaaker; Opbouw, March 1977 [At the Commemmoration of Prof. Dr. H.R. Rookmaaker]

- Folder 71: Treasures of North American Negro Music; Luister, Noveber 1960

- Folder 72: Twee Nieuwe Christelijke Academies; Centraal Weekblad, October 1977 [Two New Christian Academies]

- Folder 73: Van de Leden; Christelijk Gymnasiaal Middelbaar Onderwijs, Mar. 1961 [On the Laity; Christian Gymnasium Intermediate Instruction]

- Folder 74: Vluchtig Portret [Hasty Portrait]

- Folder 75: De Weg Tot Ontwaking en Opbouw: een Calvinistisch Cultureel Congres; De Rotterdammer, February 1953 [The Way Towards Awakening and Building up: A Calvinist Cultural Congress]

- Folder 76: L'Art Moderne et la Mort d'une Culture; A Tranvers les Revues... [Modern Art and the Death of a Culture; Against the Journals]

- Folder 77: Les Grandes Soirees du Mouloudia et du V.S.M.; Alger-Soir, Aug 1947 [The Grand Evenings of Mouloudia and the V.S.M.]

- Folder 78: Y a-t-il un Art Chretien; Jeunesse Liberee, 1975 [Is there a Christian Art?]

- Folder 79: The Life of Hans R. Rookmaaker, Sr. (1887-1945)

- Folder 80: H.R. Rookmaaker; Nader Bekeker, 2002

- Folder 81: Rookmaaker's Bliijvende Inspiratie; Opbouw, 2001 [Rookmaker's Lasting Inspiration]

- Folder 82: Rookmaaker een Internationale Eye-opener; Reformatorisch Dagblad, 2002 [Rookmaker an International Eye-opener]

- Folder 83: Het Internationale Gezicht van H.R. Rookmaaker; Opbouw 2001 [The International Countenance of H.R. Rookmaaker]

- Folder 84: Rookmaaker en L'Abri; Obouw 2001 [Rookmaaker and L'Abri]

- Folder 85: Rookmaaker (1) (2)

- Folder 86: De Eerste Acht Jaren van de VGSA Volgens de Notulen; Heen Is de Tyd. Vyfennvtig Jaar Vereniging VGSA, 2001 [The First Eight Years of the VGSA According to the Minutes; Gone is the Time; 55 Years Alliance of the VGSA-VCSA, 2001]

- Folder 87: Peter Smith Over Rookmaaker; Lev, 2003 [Peter Smith on Rookmaaker]

- Folder 88: De Kritiek op de Moderne Kunst Bij Evert Van Vitert en Hans Rookmaaker: Een Vergeliijking Van Hun Inaugerele redes; Radix 1991 [The Critic in Modern Art by Evert Van Vitert and Hans Rookmaaker: Comparison of their Inaugural Addresses

- Folder 89: Moderne Kunst en Christelijke Verantwoordelijkheid; Radix, 1994 [Modern Art and Christian Responsibility]

- Folder 90: Wat die Wind Betekent..."; Radix, 1994 [What the Wind Signifies]

- Folder 91: De Vloek van de Schoonheid. Een Verkenning in de Esthetica Van De Wijsbegeerte der Wetsidee; Radix 1993 [The Curse of Beauty. Scouting out the Aesthetics of the Philosophy of Legal Thought]

- Folder 92: Je Hebt Bijzonder Beeldende Talenten en je Bent Christen; Impact, 2002 [You have Particular Artistic Talents and You are a Christian]

- Folder 93: Christelijk Cultureel Studiecentrum 1964-1994; Schering In Inslag [Christian Cultural Study Center]

- Folder 94: Brief aan een; Impact 2002 [Letter to One]

- Folder 95: De Blijvende Betekenis van Rookmaaker; Beweging, 2001 [The Enduring Importance of Rookmaaker]

- Folder 96: Een korte reactie; Beweging, 2001 [A Short Reation]

- Folder 97: GRV -- Quo Vadis?; DNK, 2003

- Sub-Series 9

- Box 56

- Folder 1: Collected Poems

- Folder 2: Evangelie en Kunst, door ds. Theo Peppink [Gospel and Art by ds. Theo Peppink]

- Folder 3: Kort Overzicht Over de Geschiedenis der Wijsbegeerte; College - Dictaat van Dr. D.H. th. Vollenhove, Jan. 1947 [A Brief Overview of the History of Philosophy - Notes from Dr. D.H. Th. Vollenhoven]

- Folder 4: Kort Overzicht Over de Geschiedenis der Wijsbegeerte; College - Dictaat van Dr. D. H. th. Vollenhoven [A Brief Overview of the History of Philosophy - Notes from Dr. D.H. Th. Vollenhoven

- Folder 5: Inleiding Encyclopaedie der Rechtswetenschap; Dr. H. Dooyeweerd [Introduction to the Encyclopedia of Jurisprudence]

- Folder 6: Pat Cook

- Folder 7: Professor Mekkes

- Folder 8: Science in Christian Perspective -- D. M. MacKay

- Folder 9: "Hans Rookmaaker: An Open Life" -- Lauren Gasque [Uncorrected Proofs]

- Box 57

- Folder 1: Third International Congress of Art Critics

- Folder 2: A. Janse-"From Dordt to '34"

- Folder 3: "Wasn't that a Might Day" A Christmas Song-Play by Langston Hughes

- Folder 4: "The Blues: Satirical Songs of the North American Negro" By J. Frank G. Boom

- Folder 5: Various Discussions/Writings on "Modern Culture"

- [missing]
- Folder 6: "Should a Christian Tolerate the World Council? Is Liberalism Dead?" By The Rev. Francis A Schaeffer

- Folder 7: "Christ and the Church" By the Rev. Carl McIntire

- Folder 8: Discussions/Writings on "Modern Culture"

- Folder 9: "Referaat van Prof. Dr. J.P.A. Mekkes op de Studie Conferentie van de V.C.W. op. 3 jan. 1973 in het RAI gebouw te Amsterdam"

- Folder 10: "The threat of an anarchist revolution to-day"

- Sub-Series 10

- Box 58

- Folder 1: Bunk Johnson

- Folder 2: Brunswick Record

- Folder 3: The Colossi of Memnon

- Folder 4: The Damnation of Faust

- Folder 5: Emily Addie Jones White, 1975 August

- large photograph of oil painting, pansies (no title); handwritten text on back of photo
- Folder 6: Emily Addie Jones White, 1975 July

- small photograph of oil painting, pansies (no title); handwritten text on back of photo
- Folder 7: Fall of Icarus

- Folder 8: Jelly Roll Morton

- seated on piano bench, leaning on piano, wearing a black suit with a black bow tie
- Folder 9: Jelly Roll Morton

- playing piano, wearing a pinstripe shirt, plaid tie, and suspenders
- Folder 10: Kid Ory & Jazz Band

- Folder 11: King Oliver's Creole Jazz Band, 1923

- Folder 12: Kunst en Amusement [Art and Amusement]

- Folder 13: Monnickendam, 1971 August

- large photograph of painting: Winter Scene, Holland; purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 14: Monnickendam, 1975 July

- small photograph of painting: Winter Scene, Holland; purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 15: Monnickendam, 1975 August

- large photograph of painting: Venice Scene; purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 16: Monnickendam, 1975 July

- small photograph of painting: Venice Scene; purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 17: Monnickendam, 1975 August

- large photograph of pastel painting, twilight scene (no title); purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 18: Monnickendam, 1975 July

- small photograph of pastel painting, twilight scene (no title); purchased in Mexico c. 1922; handwritten text on back of photo
- Folder 19: Modern Art and the Death of a Culture

- Folder 20: Ptah of Memphis

- Folder 21: She Had A Heart After All

- Folder 22: Sonny Terry

- Folder 23: They Call It Jazz

- Folder 24: Thomas A. Dorsey Photographs, mid-1930's to early 1960's

- 6 photographs, one of which is autographed by Dorsey (to Rookmaaker)
- Folder 25: Photographs of Gospel Performing Artists

- 11 unlabeled/unidentified photos
- Sub-Series 11

- Box 59

- Folder 1: Eternity (magazine), 1985 September

- article about Rookmaaker on p. 27 [volume 36, number 9; 2 copies]
- Folder 2: Information--Evangelische Omroep, 1987 May

- Includes the text of an address given by Bert P. Dorenbos at the European Religious Broadcasters Convention ("Europe: Christian Media in the Midst of a Spiritual Warfare")
- Folder 3: Pamphlets and news clipping in Dutch, 1940-1966

- Folder 4: Pamphlets in English, 1973-1974

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Series 3: Manuscripts],
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Series 4: Published Articles],
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Series 6: Photographs],
[
Series 7: Research Notes],
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Series 8: Legal / Financial],
[Series 9: Secondary Material],
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Series 10: Free University],
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Series 11: Unknown],
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Series 12: Media],
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Series 13: Albums and Scrapbooks],
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